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• MoviesZero Effect, a Cool Movie about an Uncool Private Eye, Introduced Jake Kasdan 25 Years Ago By Craig D. LindseyJanuary 30, 2023
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• MoviesOscar Nominations 2023: The Good, the Bad and the Ugly By Jacob Oller & Anna McKibbinJanuary 24, 2023
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• MoviesWhy So Many Actors Want To Become Directors By Anna McKibbinJanuary 20, 2023
• MoviesThe House on Sorority Row Remains One of the Slasher Boom's Smartest Films By Matthew JacksonJanuary 20, 2023
• MoviesCan We All Acknowledge That a Friday the 13th Prequel Series Is a Terrible Idea? By Jim VorelJanuary 19, 2023
• MoviesMy Year of James Bond By Ciara MoloneyJanuary 18, 2023
• MoviesClip Man: How to Ruin a Wong Kar-Wai Movie By Rory DohertyJanuary 16, 2023
• GamesA Conversation about the Conversation about Videogame Adaptations By Mik DeitzJanuary 13, 2023
• MoviesDifficult Women: The Feminine Anti-Biopics of Mary Harron By Kayleigh DonaldsonJanuary 12, 2023
• MoviesWhy Superhero Movies Stopped Having Real Villains By Kenneth LoweJanuary 11, 2023
• MoviesThe Morning After's Alcoholic Role Proved Dick Van Dyke a Potent Dramatic Actor By Chloe WalkerJanuary 10, 2023
• MoviesWalt Disney's Century: Steamboat Willie By Kenneth LoweJanuary 9, 2023
• MoviesAlcarràs and Cinema's War of Technological Progress By Soham GadreJanuary 6, 2023
• MoviesCorsage and the Persistent Paradox of Being Looked At By Brianna ZiglerJanuary 3, 2023
• MoviesThe Best Movies of the Year: Guillermo Del Toro’s Pinocchio Is the Pinnacle of 2022's Stop-Motion Celebration By Tara BennettDecember 30, 2022