• MoviesYou’re Not Terrifying After All: Agatha Christie’s Marple and Nicolas Winding Refn’s Aesthetics of JusticeBy Kyle TurnerFebruary 16, 2022
• MoviesWhy Scream 3 Is the Franchise's BestBy Kyle TurnerFebruary 7, 2022
• MoviesI Can Hardly Remember Anything: Weekend at 10By Kyle TurnerOctober 20, 2021
• MoviesUdo Kier's Confrontation with History Craves Expression in Swan SongBy Kyle TurnerAugust 6, 2021Rating6.0
• MoviesQuaran-Scenes: “I Want a Mom That Will Last Forever” in Rugrats in ParisBy Kyle TurnerNovember 25, 2020
• MoviesSean Connery and the Bond GoodbyeBy Kyle TurnerOctober 31, 2020
• MoviesQuaran-Scenes: “I Put a Spell on You” in Hocus PocusBy Kyle TurnerOctober 20, 2020
• MoviesQuaran-Scenes: Julius' in Can You Ever Forgive Me?By Kyle TurnerSeptember 16, 2020
• MoviesQuaran-Scenes: “Annie’s Song” and Impossible LongingsBy Kyle TurnerAugust 7, 2020
• MoviesQuaran-Scenes: The Surrogate and the New Gay VillainyBy Kyle TurnerJuly 10, 2020
• MoviesDefine Frenzy: No Thrill in the ChasteBy Kyle TurnerJune 26, 2020
• MoviesDefine Frenzy: Camp as Disappointment in The Stepford WivesBy Kyle TurnerJune 18, 2020
• MoviesQuaran-Scenes: "Cry to Me" and The Man from U.N.C.L.E.By Kyle TurnerMay 24, 2020
• MoviesTake Me to the World: Evening Primrose in QuarantineBy Kyle TurnerApril 14, 2020
• MoviesOn Her Majesty's Secret Room Service: James Bond and Luxury HotelsBy Kyle TurnerFebruary 12, 2020
• MoviesDead Man Walking: Rebirth and Blackness in Live and Let DieBy Kyle TurnerFebruary 10, 2020
• MoviesBeing Alive in 2019: The Year Sondheim Saturated Pop CultureBy Kyle TurnerDecember 20, 2019
• MoviesWith Dark Waters, Todd Haynes Goes Home AgainBy Kyle TurnerDecember 9, 2019
• MoviesEveryone and Everything Is a Performance in Bong Joon-ho's Absurdist ParasiteBy Kyle TurnerOctober 16, 2019Rating8.5
• MoviesThe Beautiful Mess of The GoldfinchBy Kyle TurnerSeptember 29, 2019